
THE MULTI, produced by NIOVISION (IMDb)
Facts about this film and production:
-
Since 2022, 15 film festivals have accepted The Multi, with several being BAFTA (BU FF), Oscars (LA International Shorts), and Canadian Screen (Toronto Black Film Festival) qualifiers.
-
The first premiere of The Multi took place at the British Film Institute during their “Busting the Bias” event.
-
The majority of the cast and crew were Deaf and Hard of Hearing, working side by side with our hearing crew.
-
The entire production was accessible to deaf and hearing crew members using American Sign Language (ASL) interpreters on Zoom throughout the production.
-
The cast and crew were able to successfully communicate with each other by being innovative, patient, and open-minded.
-
Hybrid flex format: half the crew/cast were working virtually, and half were in-person
-
Virtually: Co-Director (Deaf), producer (Hearing), Assistant Director (Hearing), and actors (Deaf & Hearing)
-
In-Person: Director (Deaf), Director of Photography (Hearing), Gaffer (Hearing), Actor (Deaf), Producer (Deaf), Associate Producer (Deaf), Line producer (Deaf), Art director (Deaf), Set photographer (Hearing), HSS Coordinator (Deaf).​
-
​
Why is this film unique?
The positive group dynamics between hearing and deaf and hard-of-hearing team members in this production were unique. The huge win of this production was the organic working connections among the cast and crew, especially the cinematographer and the actor. The hearing cinematographer, Cooper Ulrich, and deaf actor, Natasha Ofili, were naturally in sync and found ways to capture beautiful, impulsive moments during the filming.
As a Filmmaker, one of the greatest lessons Natasha learned from producing this film, from preproduction to post-production, is that she has to trust herself and trust her stories.
​
Why does the world need this story?
In the entertainment world we live in, we have beautiful stories written by phenomenal filmmakers. At the same time, there is a lack of authentic films that have authentic representation on the screen. There is also a lack of stories and art portraying the diverse experiences of pain and joy from black deaf women's perspectives. This particular film is not about a Black woman who happens to be Deaf. This is about a black woman who suffered some sort of mental illness from a trauma she endured. Her story is one many can relate to, especially Black Women, Black Deaf Women, Black Trans Women, women of color, and all human beings.